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Category Archives: tourism Toronto

Toronto’s carousels of the past and present

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The Centre Island carousel (merry-go-round) at Centreville in July 1987. Photo from author’s collection.

The carousel is one of the few amusement rides that generates feelings of nostalgia and romance. In the past, Toronto has been the home to three great carousels and I have had the pleasure of riding on two of them. Carousels are usually found in amusement parks, where they create great pleasure for children and adults alike. When watching an adult help a toddler onto the back of one of the carved animals, it is difficult to determine who derives the most pleasure—the child or the adult. It is not uncommon to see an adult riding a carousel, employing the excuse that they are merely accompanying their child for safety reasons.

Perhaps this is because many of us remember our own childhood and the great joy we experienced when we rode a carousel. Most of us cannot wait to see the same pleasure bestowed on our own children or those of our friends. Despite the newer, faster and more modern rides, as well as electronic games and the internet, the carousel from Victorian times remains one of the most treasured experiences for youngsters.

Scarborough Beach Park

One of Toronto’s earliest amusement parks was Scarborough (Scarboro) Beach Park. It was located beside Lake Ontario, south of Queen Street East, between Kew and Balmy Beaches. The land was purchased in 1906 by Harry and Mabel Dorsey for about $160,000. When the park opened on July 1, 1907 it contained an array of rides, as well as a 30-metre obelisk-like tower and an extensive midway.

The park became famous for its diving horse, which jumped headlong from a 60-foot platform into Lake Ontario. Similar to today, the most popular ride for children was the carousel. However, during the years ahead, attendance dwindled due to lack of maintenance and competition from the amusement park that opened at Sunnyside in 1922. The City of Toronto purchased Scarborough Beach Park in 1925 and officially closed it in 1930. The carousel was sold to Lakeside Park at Port Dalhousie, near St. Catharines, Ontario.

Fonds 1244, Item 149    Water chute, 1908, Scarboro Fonds 1244, item 0230  20110520-SBP2[1]

(Left) The midway at Scarborough Beach Park in 1907 (Toronto Archives, Fonds 1244, item 0230). (Right-hand photo) The Water Chute at the park in 1908 (Toronto Archives, Fonds 1244, item 0230).

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The tower that resembled an obelisk, at Scarborough Beach Park. Photo taken in 1900, Toronto Public Library, r- 5448.

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Scarborough Beach Park in 1900. The structure on the far left is likely the carousel. It was sold to Lakeside Park at Port Dalhousie, but not the building that housed it. Toronto Public Library, r-5447.

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After Scarborough Beach Park was demolished, the land became a residential development. The only reminder of the park’s existence is Scarborough Beach Boulevard. It extends south from Queen Street East to the lake and is on the site of the former path that led to the entrance gate of the park. 

Lakeside Park at Port Dalhousie, Ontario

I was on the carousel in this park several times in the 1940s. When I was a child, once each summer my family visited the beach at Port Dalhousie, sailing across the Lake Ontario aboard the SS Cayuga. The magnificent carousel at Port Dalhousie was carved between the years 1898 and 1905 in Brooklyn, New York. It still operates today, and has 68 animals, including horses, lions, camels, goats, and giraffes, plus four chariots.

Before the Second World War automobiles were unaffordable, so people in Toronto spent their weekends and holiday within the city or surrounding areas. It was mainly the wealthy that were able to afford to journey on the train to cottages in the Muskoka Region or Georgian Bay. During the 1930s and 1940s, each year more than a quarter million people crossed the lake in steamships to visit Port Dalhousie. The animals on the carousel are hand-carved and the horses have real horsehair tails. Today, they are maintained by the “Friends of the Carousel”, a group that repairs them when needed. All the animals are original, except for a lion carved in 2004 to replace one that was stolen in the 1970s.

Port Dalhousie, 1930  tspa_0107728f[1]

Lakeside Park at Port Dalhousie in 1930. The building near the top of the photo is likely the carousel. (Readers: please advise me if this is incorrect) Toronto Public Library, tspa 007728.

Hanlan’s Point Amusement Park

The amusement park at Hanlan’s Point was very popular during the last few decades of the 19th century and early decades of the 20th. The city’s main baseball stadium was located there, the ride across the harbour on a Toronto ferry a treasured part of the daily excursion. It was logical to add other attractions to Hanlan’s Point to lure visitors across the bay. The original wooden stadium opened in 1897, and it was at Hanlan’s that Babe Ruth hit his first home run as a professional player. After the baseball season ended in 1925, the team relocated to Maple Leaf Stadium on the mainland, at the foot of Bathurst Street.

The amusement rides alone were not able to attract sufficient people to remain financially viable. The rides were eventually sold or demolished, and by 1930, almost nothing remained. I was unable to discover what happened to the carousel.

S.S. Trillium, (Motor Coach Department) – September 1, 1927

The Trillium docked at Hanlan’s Point on September 1, 1927. The carousel is behind the ferry, near the water of the harbour. It is unknown if the carousel remained inside the structure, as they were usually sold without the buildings that housed them. Toronto Archives, Series 0071, item 5215.

Hanlan's Point, looking south, from "B," showing refreshment booth, dock entrance and merry-go-round, (Commercial Department) – August 12, 1927

On the left-hand side of the photo is the merry-go-round (carousel) at Hanlan’s Point on August 12, 1927. The ticket booth is also visible. Behind the carousel is a refreshment stand. Toronto Archives, Series 0071, item 5157.

Sunnyside Beach and Amusement Park

Sunnyside Beach Amusement Park was officially opened by Mayor Mcguire on June 28, 1922. At the time the park had not been completed, but a few of the rides and the Bathing Pavilion were ready for visitors. After its official opening, thousands strolled along the boardwalk at Sunnyside, swam in the waters of the lake, or dived into the new swimming pool.

During the next few years, the amusement park was completed. Included among the rides was a carousel, the one that provided me with my first ride aboard one. Other popular features at Sunnyside were the concession stands, dance pavilion, and an open-air theatre called the Band Stand. The annual Easter Parade was held on the boardwalk at Sunnyside, as well as the Miss Toronto beauty contests and women’s softball games. The Sunnyside rollercoaster, named the Flyer, was a wooden structure. I rode it many times in the 1950s and can still recall how the cars swayed from side to side as they descended from the highest section of track. This added greatly to the sense of danger. Being a teenager at the time, I loved it.

The golden era of Sunnyside was from the 1920s until the early-1950s. As automobiles became more affordable, families began journeying north of the city to escape the heat and humidity of a Toronto summer. The lakes of Muskoka and the beaches of Georgian Bay were the most popular.

In 1955, the Toronto Harbour Commission ordered the demolition of Sunnyside. By the end of 1956, the summer retreat that previous generations had known and loved was but a memory. The land is now beneath the Gardiner Expressway and the widened Lakeshore Boulevard. The beloved carousel of my youth was sold to Disneyland in Anaheim California, where it remains today. It is now called the King Arthur Carousel.

We lost this great carousel, and it appears as if we shall also lose the one at Centreville on Centre Island too.

Sunnyside_Boardwalk_Toronto_1931[1]

View looking west along the the Lakeshore Road c. 1925. To the left (south) of the boardwalk is Lake Ontario (not visible in the view on the postcard). The large structure with the domed red roof is the merry-go-round.

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The Sunnyside merry-go round (carousel) in 1945. Toronto Archives, SC 139-2 box 148489.

Other carousels now found within the GTA.

tspa_0014659f Tor. Star, 1985  [1]  From Woodside Amusement Pk,  photo by Smallbones  800px-Carousel_longshot_Philly[1]

Carousel at Woodbine Centre at Highway 27 and Rexdale Boulevard. Photo on left, Toronto Archives, tspa 0014659f. Photo on right by Smallbones.

View of carousel and surrounding flower beds at Canada's Wonderland – June 8, 1981

The carousel at Canada’s Wonderland in Vaughan at Highway #400 and  Rutherford Road. Photo was taken in 1981 and is from Toronto Archives, F 1526, file98, item 5.

Series 1465, File 362, Item 23

Children’s carousel at the CNE in the 1980s. This ride resides in Toronto only when the CNE is open. Toronto Archives, S 1465, Fl 0362, item 0023.

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                     Carousel at the CNE in 1995. Author’s collection.

Note: I have not mentioned the carousel on Centre Island. The following link will allow readers to discover its fate:

https://tayloronhistory.wordpress.com/2017/08/19/rescue-torontos-antique-carousel-at-centreville/

Note: Sources employed for this post include: cec.chebucto.org/ClosPark/ScarBech.html

and www.blogto.com/city/2011/05/nostalgia_tripping_scarboro_beach_park 

and https://www.stcatharines.ca/en/experiencein/LakesideParkCarousel.asp 

https://tayloronhistory.wordpress.com/2017/08/19/rescue-torontos-antique-carousel-at-centreville/

To view the Home Page for this blog: https://tayloronhistory.wordpress.com/

To explore more memories of Toronto’s past:

https://tayloronhistory.wordpress.com/2016/03/02/tayloronhistory-comcheck-it-out/

Books by the author:

Toronto’s Theatres and the Golden Age of the Silver Screen,” explores 50 of Toronto’s old theatres and contains over 80 archival photographs of the facades, marquees and interiors of the theatres. It relates anecdotes and stories by the author and others who experienced these grand old movie houses.  

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   To place an order for this book, published by History Press:

https://www.arcadiapublishing.com/Products/9781626194502

Book also available in most book stores such as Chapter/Indigo, the Bell Lightbox and AGO Book Shop. It can also be ordered by phoning University of Toronto Press, Distribution: 416-667-7791 (ISBN 978.1.62619.450.2)

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Another book on theatres, published by Dundurn Press, is entitled, “Toronto’s Movie Theatres of Yesteryear—Brought Back to Thrill You Again.” It explores 81 theatres and contains over 125 archival photographs, with interesting anecdotes about these grand old theatres and their fascinating histories. Note: an article on this book was published in Toronto Life Magazine, October 2016 issue.

For a link to the article published by Toronto Life Magazine: torontolife.com/…/photos-old-cinemas-dougtaylortoronto-local-movie-theatres-of-y…

The book is available at local book stores throughout Toronto or for a link to order this book: https://www.dundurn.com/books/Torontos-Local-Movie-Theatres-Yesteryear

                        Toronto: Then and Now®

Another publication, “Toronto Then and Now,” published by Pavilion Press (London, England) explores 75 of the city’s heritage sites. It contains archival and modern photos that allow readers to compare scenes and discover how they have changed over the decades. 

Note: a review of this book was published in Spacing Magazine, October 2016. For a link to this review:

spacing.ca/toronto/2016/09/02/reading-list-toronto-then-and-now/

For further information on ordering this book, follow the link to Amazon.com  here  or contact the publisher directly by the link below:

http://www.ipgbook.com/toronto–then-and-now—products-9781910904077.php?page_id=21

 

 

 

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History of the Royal Ontario Museum (ROM)

Fonds 1244, Item 3058

Gazing north on Queen’s Park Crescent in 1930. To the north of the museum is the Park Plaza Hotel. Toronto Archives,  Fonds 1244, Item 3058.

My earliest memories of the Royal Ontario Museum date from the 1940s, when my father took my brother and me downtown to view a parade on University Avenue. When it started to rain, he decided that we should go into the museum. I was a young boy at the time, and the dinosaurs, the Egyptian mummy, and the mounted animals in the natural history section fascinated me. The other item that I vividly remember from this visit is the tall totem pole in one of the stairwells. From the basement level, it towered skyward to near the roof. Today, these same exhibits thrill children and adults alike.

The Royal Ontario Museum has a history that spans over a century. It began in the early 20th century, at a time when Toronto was growing rapidly and the need for a world-class museum was clearly evident. A small group of influential people sought funding from the Ontario Government and the University of Toronto. As a result of their efforts, the Ontario Legislature passed The ROM Act on April 16, 1912, and the long history of this venerable institution commenced.

The facade of the new museum was to face Philosophers’ Walk, near the intersection of Bloor and Queen’s Park Avenue. The architects for the building were Darling and Pearson. The walls of the structure were covered with pale chalk-coloured bricks and terracotta. The entrance was on the north side, facing Bloor Street. It was officially opened on March 19, 1914, by the Duke of Connaught, Canada’s governor general.

An addition was added to the museum 19 years later, opening on October 12, 1933. The original section of the museum became the west wing. The addition faced Queen’s Park Crescent, the building occupying the southwest corner of Bloor West and Queen’s Park Crescent. Its walls were faced with pale-yellow bricks and Ontario limestone. The architects were Chapman and Oxley, who chose the Beau-Arts style, with richly detailed classical symbols. The main entrance was on Queen’s Park Crescent, the combined structures creating a U-shaped building.

In 1967, the museum severed its connection with the University of Toronto and became a separate entity. The ROM, as most people refer to it today, was renovated in 1984, at a cost of $55 million. It was officially reopened by Queen Elizabeth II. The next major change to the museum occurred in 2007, when another wing was added, named the Michael Lee-Chin Crystal, at a cost of $320 million. Its architect the world famous Daniel Libeskind, who relocated the main entrance to Bloor Street. The museum has in its possession 6 million artefacts and attracts visitors from all over the world, as well as those living in Toronto and the surrounding area. 

Fonds 1244, Item 3046

The original Royal Ontario Museum, facing Philosophers’ Walk, in 1913. Toronto Archives, F.1244, It.3046 (1)

Oct. 15, 1929--s0071_it7253[1]

The museum facing Philosophers’ Walk on October 15, 1929. Today, it is the west wing of the ROM. Toronto Archives S0071, It. 7253 (1)

Fonds 1244, Item 1140

The 1933 addition to the ROM, facing Queen’s Park Crescent, photo taken the year it opened. The street in front of the museum is considerably narrower than it is today. Toronto Archives, F1244, It. 1140 (1) 

                        Aug. 1935.  f1231_it0683[1]

Main entrance to the ROM, facing Queen’s Park Crescent. The photo was taken in 1935. Toronto Archives, F1244, It. 0683 (1)

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The same entrance to the museum in 2012, after the entrance was relocated to Bloor Street West.

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The east facade of the ROM, facing Queen’s Park Crescent on May 28, 2015.

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View gazes west  on Bloor Street, the 1933 addition to the ROM visible, as well as the Michael Lee-Chin Crystal.

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             The Michael Lee-Chin Crystal facing Bloor Street. May 28, 2015.

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Entrance to the ROM on Bloor Street, in the Michael Lee-Chin Crystal, May 28, 2015.

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      The court on the ground-floor level, inside the Michael Lee-Chin Crystal, May 2015.

To view the Home Page for this blog: https://tayloronhistory.wordpress.com/

To view previous blogs about movie houses of Toronto—historic and modern

https://tayloronhistory.wordpress.com/2013/10/09/links-to-toronto-old-movie-housestayloronhistory-com/

Recent publication entitled “Toronto’s Theatres and the Golden Age of the Silver Screen,” by the author of this blog. The publication explores 50 of Toronto’s old theatres and contains over 80 archival photographs of the facades, marquees and interiors of the theatres. It relates anecdotes and stories of the author and others who experienced these grand old movie houses.  

                      cid_E474E4F9-11FC-42C9-AAAD-1B66D852[2]

   To place an order for this book:

https://www.historypress.net/catalogue/bookstore/books/Toronto-Theatres-and-the-Golden-Age-of-the-Silver-Screen/9781626194502 .

Book also available in Chapter/Indigo, the Bell Lightbox Book Store and by phoning University of Toronto Press, Distribution: 416-667-7791

Theatres Included in the Book:

Chapter One – The Early Years—Nickelodeons and the First Theatres in Toronto

Theatorium (Red Mill) Theatre—Toronto’s First Movie Experience and First Permanent Movie Theatre, Auditorium (Avenue, PIckford), Colonial Theatre (the Bay), the Photodrome, Revue Theatre, Picture Palace (Royal George), Big Nickel (National, Rio), Madison Theatre (Midtown, Capri, Eden, Bloor Cinema, Bloor Street Hot Docs), Theatre Without a Name (Pastime, Prince Edward, Fox)

Chapter Two – The Great Movie Palaces – The End of the Nickelodeons

Loew’s Yonge Street (Elgin/Winter Garden), Shea’s Hippodrome, The Allen (Tivoli), Pantages (Imperial, Imperial Six, Ed Mirvish), Loew’s Uptown

Chapter Three – Smaller Theatres in the pre-1920s and 1920s

 Oakwood, Broadway, Carlton on Parliament Street, Victory on Yonge Street (Embassy, Astor, Showcase, Federal, New Yorker, Panasonic), Allan’s Danforth (Century, Titania, Music Hall), Parkdale, Alhambra (Baronet, Eve), St. Clair, Standard (Strand, Victory, Golden Harvest), Palace, Bedford (Park), Hudson (Mount Pleasant), Belsize (Crest, Regent), Runnymede

Chapter Four – Theatres During the 1930s, the Great Depression

Grant ,Hollywood, Oriole (Cinema, International Cinema), Eglinton, Casino, Radio City, Paramount, Scarboro, Paradise (Eve’s Paradise), State (Bloordale), Colony, Bellevue

 

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Toronto’s historic Royal Alexandra Theatre

Tor. Pub. Lib. pictures-r-4963[1]

The Royal Alexander Theatre in August, 1955 , Toronto Public Library, r-4963-1

In the 19th century, King Street was one of the most fashionable residential streets in Toronto, as well as its most important business thoroughfare. Government House, the official residence of the Lieutenant Governor of Ontario was located at Simcoe and John Streets, the location of today’s Roy Thomson Hall. The prestigious private school, Upper Canada College, was at one time located at the same intersection, on the northwest corner.

In the first decade of the 20th century, a group of business men, its most important member Cawthra Mulock, decided to finance the construction of a theatre to showcase legitimate theatrical productions. Most of them would be touring shows from London and New York. They purchased an 100-foot-wide lot at 260 King Street West, on the north side of the street, between Simcoe and John Streets. It had at one time been part of the previously mentioned campus of Upper Canada College.  

The syndicate hired the architect John M. Lyle, who in later years was to design Union Station on Front Street. For the theatre, Lyle chose the style that he preferred and had specialized in—Beaux-Arts classicism. It was constructed on a steel frame, which was not common in that decade. The exterior walls and floors were reinforced concrete, over two feet thick, and the walls were covered with yellow bricks. It had a Mansard roof with eye-windows inserted in it on three sides. The balconies were constructed of reinforced concrete on steel frames. There were no internal pillars, so no seat in the theatre would have an obstructed view. Sandstone blocks were placed on the facade facing King Street to create an imposing dignified appearance. The theatre was electrified so that no candles or gas lamps were required for stage or house lights, reducing the risk of fire. The stage’s fire curtain contained asbestos, woven on steel wire. There was also an automatic sprinkler system, its water supply contained in a cistern on the roof. There were sprinklers in the ceiling of the auditorium, as well as encircling the stage area and around the curtains. When it was built, it was the only truly fire-proof theatre in North America, setting the standard for theatres throughout the continent.

The stage was 45 feet wide and 35 feet in depth. The 17-foot wings were of sufficient size for the demands of most productions. Behind the stage were dressing rooms and washrooms. The space above the stage possessed extra height to accommodate most scenery and stage sets. Though the theatre was smaller than those in London and New York, the Royal Alex was a “road house,” meaning that touring groups arrived with their own scenery, which tended to be on a smaller scale than in-house productions. In the two balconies and box seats on the sides, as well as in the orchestra sections, there were plush comfortable seats. Every detail was observed to create excellent acoustics, and the auditorium was shaped according to these principles. In summer, storage spaces under the floor contained blocks of ice, so that in hot weather, vents in the floor allowed cool air into the theatre. This was in the days prior to air conditioning.

Royal permission was granted to name the theatre after the consort of King Edward VII, Queen Alexandra. It opened on August 26, 1907 with the musical production “Top O’ Th’ World,” starring  Harry Fairleigh and Anna Laughklin. During the many decades ahead, productions of Oklahoma, Kiss Me Kate, The King and I, Call Me Madam, and the Wizard of Oz had their Toronto premiers at the “Royal Alex,” as theatregoers usually refer to it. As well, Gilbert and Sullivan Operas and productions from New York’s Metropolitan Opera have been featured at the theatre.

By the late-1950s, the area surrounding the theatre had deteriorated and it was in danger of being demolished for a parking lot. In 1963, Ed Mirvish purchased the theatre for $215,000. He was quoted as saying that any real estate deal where the asking price was less than the value of the land alone, was a great buy. Mirvish restored the theatre to its early-twentieth- century grandeur and reopened it on September 9, 1963, featuring the play, “Never Too Late.” It was the beginning of the renaissance of King Street West. Today, the Bell Lightbox and Princess of Wales Theatre complement the historic Royal Alexander. It is one of the oldest continuously operating theatres in North America.

Note: I am grateful for the information contained in the book, “The Royal Alexandra Theatre” by Robert Brockhouse.

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                                                The theatre in 2012.

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                     The canopy of the theatre on King Street West.

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                                        Entrance doors on King Street.

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                             Architectural detailing of the cornice.

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                                      Interior view from the stage.

May 2012

              View of the theatre from David Pecaut Square in May 2012.

To view the Home Page for this blog: https://tayloronhistory.wordpress.com/

To view previous blogs about movie houses of Toronto—historic and modern

https://tayloronhistory.wordpress.com/2013/10/09/links-to-toronto-old-movie-housestayloronhistory-com/

Recent publication entitled “Toronto’s Theatres and the Golden Age of the Silver Screen,” by the author of this blog. The publication explores 50 of Toronto’s old theatres and contains over 80 archival photographs of the facades, marquees and interiors of the theatres. It relates anecdotes and stories of the author and others who experienced these grand old movie houses.  

                      cid_E474E4F9-11FC-42C9-AAAD-1B66D852[1]

   To place an order for this book:

https://www.historypress.net/catalogue/bookstore/books/Toronto-Theatres-and-the-Golden-Age-of-the-Silver-Screen/9781626194502 .

Book also available in Chapter/Indigo, the Bell Lightbox Book Store and by phoning University of Toronto Press, Distribution: 416-667-7791

Theatres Included in the Book:

Chapter One – The Early Years—Nickelodeons and the First Theatres in Toronto

Theatorium (Red Mill) Theatre—Toronto’s First Movie Experience and First Permanent Movie Theatre, Auditorium (Avenue, PIckford), Colonial Theatre (the Bay), the Photodrome, Revue Theatre, Picture Palace (Royal George), Big Nickel (National, Rio), Madison Theatre (Midtown, Capri, Eden, Bloor Cinema, Bloor Street Hot Docs), Theatre Without a Name (Pastime, Prince Edward, Fox)

Chapter Two – The Great Movie Palaces – The End of the Nickelodeons

Loew’s Yonge Street (Elgin/Winter Garden), Shea’s Hippodrome, The Allen (Tivoli), Pantages (Imperial, Imperial Six, Ed Mirvish), Loew’s Uptown

Chapter Three – Smaller Theatres in the pre-1920s and 1920s

 Oakwood, Broadway, Carlton on Parliament Street, Victory on Yonge Street (Embassy, Astor, Showcase, Federal, New Yorker, Panasonic), Allan’s Danforth (Century, Titania, Music Hall), Parkdale, Alhambra (Baronet, Eve), St. Clair, Standard (Strand, Victory, Golden Harvest), Palace, Bedford (Park), Hudson (Mount Pleasant), Belsize (Crest, Regent), Runnymede

Chapter Four – Theatres During the 1930s, the Great Depression

Grant ,Hollywood, Oriole (Cinema, International Cinema), Eglinton, Casino, Radio City, Paramount, Scarboro, Paradise (Eve’s Paradise), State (Bloordale), Colony, Bellevue (Lux, Elektra, Lido), Kingsway, Pylon (Royal, Golden Princess), Metro

Chapter Five – Theatres in the 1940s – The Second World War and the Post-War Years

University, Odeon Fairlawn, Vaughan, Odeon Danforth, Glendale, Odeon Hyland, Nortown, Willow, Downtown, Odeon Carlton, Donlands, Biltmore, Odeon Humber, Town Cinema

Chapter Six – The 1950s Theatres

Savoy (Coronet), Westwood

Chapter Seven – Cineplex and Multi-screen Complexes

Cineplex Eaton Centre, Cineplex Odeon Varsity, Scotiabank Cineplex, Dundas Square Cineplex, The Bell Lightbox (TIFF)

 

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Capturing Toronto’s past through art

26.  18x24  1995 Yonge and Queen in 1948.

Gazing north on Yonge Street from Queen Street in 1948, acrylic on stretched canvas, 18” x 24”, painted in 1995.

Toronto is one of the fastest changing cities in the world. I observe this phenomenon with a sense of pride, but at the same time lament that as the city grows vertically and expands its borders, much of its architectural history is being obliterated. Many years ago, in an attempt to preserve the images of my youth, I commenced sketching and painting city scenes, in acrylic, watercolour and oil. The above painting depicts the intersection of Queen and Yonge as I remember it as a boy, when my brother and I accompanied my mother on the old Peter Witt streetcars to visit Eaton’s during the Christmas season. By the time we departed from the store, darkness had fallen. Of course the highlight of the excursion was Eaton’s Toyland, on the fifth floor of the old Eaton’s store. To create the painting, I supplemented my memories with historic photographs from the City of Toronto Archives and sketches of the facades of the two buildings that remain at the intersection today. 

I commenced my Toronto paintings in the 1970s, and a few years later, I began retaining the city’s history by researching and writing. My books, fiction and non-fiction, are steeped in Toronto’s past. As I work, I am continually reminded that no matter how much I learn, there is so much more to discover. It is an humbling experience. I often wonder how researchers in London, Paris or Rome cope with the seemingly endless layers of history of these cities, which extend through thousands of years. My research has also caused me to greatly appreciate the writings of Bruce Bell and Mike Filey, who have expertly chronicled Toronto’s past. These historians have truly contributed much to the citizens of this city.

Below are a few more paintings that attempt to recreate scenes from past. Buildings and streetcars dominate most of them, the human figures inserted to animate the scenes or simply to provide foregrounds. Thus, they are not depicted in great detail. In all of the painting, I have employed bright vivid colours, often brushing them on the canvases without blending or mixing. The effect may be jarring to some viewers, but it is how I remember these scenes from my boyhood. When we are young, our world is bright and colourful; it is aging that dim’s our visions.   

104.  12x16  1997  Queen at Yonge looking west in 1948

Painted in 1997, the painting entitled, “Christmas Eve—1948,” is my favourite among those in this series. It most accurately reflects my boyhood memories of blustery evenings when we departed the old Eaton’s Store at Queen and Yonge Streets. It was often after 5pm, when the sun had plunged beneath the horizon and the lights of the city sparkled in the December darkness. It was on occasions such as this that my fascination with streetcars commenced and it has never departed.

The view in the painting gazes west from Queen Street East toward Yonge Street. The Christmas wreaths in the windows of the Bank of Montreal, on the northeast corner, and the decorated trees in the windows of the Simpson’s Store (now The Bay), on the southwest corner, create yuletide warmth on a snowy winter night, the wind whipping the thick flakes of white around the brightly-lit buildings. As a child, I thought it was magical. 

198.  18x24  1995 College and Yonge in 1948    

The intersection of Yonge and College (Carlton) Streets in 1948. The large building on the right-hand side is the old Eaton’s College Street Store. The painting is 18”24,” acrylic on stretched canvas, painted in 1995. Compared to the previous painting, the scene is calm, the wind more gentle, the dominance of blue hinting at  the bitterly cold temperatures, despite the bright red of the streetcars and the sign on the Kresge Store.  When writing this post, I noticed that “Kresge” is misspelled in the painting.

                    90.  20x24  1990 Bay St. in 1934

View gazing north on Bay Street in 1934, acrylic on stretched canvas, 18” x 24”, painted in 1990. This painting is not from the memories of my youth. I was fortunate to locate a copy of the book that the City of Toronto published in 1934 to commemorate the centennial of the incorporation of the city. In the book was a small black and white sketch of Bay Street. It was the inspiration for the painting, supplemented with archival photos and sketches done on location of the old buildings that remained on Bay Street in 1990. 

151.  18x24  1990 Qunne gazing toward Yonge in 1908

This is painting was created through archival photographs. The scene gazes east on Queen Street toward Yonge Street, c. 1918. The Eaton’s and Simpson’s (now the Bay) stores are visible. The Bank of Montreal, on the northeast corner of Yonge and Queen can also be seen. This building now contains an entrance to the Yonge Subway. The painting is 18”x20”, acrylic on stretched canvas, painted in 1990.

          55.  11x14  1992  Queen and Yonge in 1948

This colourful winter scene, painted in 1992, depicts shoppers boarding a Yonge streetcar to return home on “Christmas Eve in 1948.” The warmth of the family kitchen and loved ones awaiting them is foremost in their thoughts. The shoppers ignore the biting December winds, thinking of the happiness the contents of the bulky parcels that they carry will create when Christmas morning dawns. As the scene unfold, stores are being shuttered, the frantic yuletide shopping having ended, winter’s darkness quietly descending around them. The Yonge streetcar in the painting will circle Union Station at its south terminus and on its northern route travel as far as the city limits, on the brow of the hill overlooking Hogg’s Hollow. The TTC streetcar contained a small stove, fuelled by coal, to warm the passengers. Christmas morning would descend in a few hours, a time span that excited children considered a lifetime.

This scene is pure fantasy, the streetcar much larger than reality, occupying a greater portion of Yonge Street than is possible. The bright solid colours generate warmth on a cold winter canvas. As a child, I thought streetcars were larger than ocean liners, magical vehicles that transported me to wondrous locations like Kew Gardens, Woodbine Beach, the Humber River Valley, High Park and the ferry docks to journey to Centre Island.

The exaggerations of memory are a vital part of our past. Reality is something that awaits us when are older or have become teenagers, which when we were young children, meant the same. Anyone in their teens was an older person.

To view the Home Page for this blog: https://tayloronhistory.wordpress.com/

To view previous blogs about movie houses of Toronto—historic and modern

https://tayloronhistory.wordpress.com/2013/10/09/links-to-toronto-old-movie-housestayloronhistory-com/

Recent publication entitled “Toronto’s Theatres and the Golden Age of the Silver Screen,” by the author of this blog. The publication explores 50 of Toronto’s old theatres and contains over 80 archival photographs of the facades, marquees and interiors of the theatres. It relates anecdotes and stories of the author and others who experienced these grand old movie houses.  

              Note: This is a book of memories.

                      cid_E474E4F9-11FC-42C9-AAAD-1B66D852[2]

   To place an order for this book:

https://www.historypress.net/catalogue/bookstore/books/Toronto-Theatres-and-the-Golden-Age-of-the-Silver-Screen/9781626194502 .

Book also available in Chapter/Indigo, the Bell Lightbox Book Store and by phoning University of Toronto Press, Distribution: 416-667-7791

Theatres Included in the Book:

Chapter One – The Early Years—Nickelodeons and the First Theatres in Toronto

Theatorium (Red Mill) Theatre—Toronto’s First Movie Experience and First Permanent Movie Theatre, Auditorium (Avenue, PIckford), Colonial Theatre (the Bay), the Photodome, Revue Theatre, Picture Palace (Royal George), Big Nickel (National, Rio), Madison Theatre (Midtown, Capri, Eden, Bloor Cinema, Bloor Street Hot Docs), Theatre Without a Name (Pastime, Prince Edward, Fox)

Chapter Two – The Great Movie Palaces – The End of the Nickelodeons

Loew’s Yonge Street (Elgin/Winter Garden), Shea’s Hippodrome, The Allen (Tivoli), Pantages (Imperial, Imperial Six, Ed Mirvish), Loew’s Uptown

Chapter Three – Smaller Theatres in the pre-1920s and 1920s

 Oakwood, Broadway, Carlton on Parliament Street, Victory on Yonge Street (Embassy, Astor, Showcase, Federal, New Yorker, Panasonic), Allan’s Danforth (Century, Titania, Music Hall), Parkdale, Alhambra (Baronet, Eve), St. Clair, Standard (Strand, Victory, Golden Harvest), Palace, Bedford (Park), Hudson (Mount Pleasant), Belsize (Crest, Regent), Runnymede

Chapter Four – Theatres During the 1930s, the Great Depression

Grant ,Hollywood, Oriole (Cinema, International Cinema), Eglinton, Casino, Radio City, Paramount, Scarboro, Paradise (Eve’s Paradise), State (Bloordale), Colony, Bellevue (Lux, Elektra, Lido), Kingsway, Pylon (Royal, Golden Princess), Metro

Chapter Five – Theatres in the 1940s – The Second World War and the Post-War Years

University, Odeon Fairlawn, Vaughan, Odeon Danforth, Glendale, Odeon Hyland, Nortown, Willow, Downtown, Odeon Carlton, Donlands, Biltmore, Odeon Humber, Town Cinema

Chapter Six – The 1950s Theatres

Savoy (Coronet), Westwood

Chapter Seven – Cineplex and Multi-screen Complexes

Cineplex Eaton Centre, Cineplex Odeon Varsity, Scotiabank Cineplex, Dundas Square Cineplex, The Bell Lightbox (TIFF)

 

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Winter scenes after a Toronto storm

D'Arcy St.   7

             Houses wrapped in winter on D’Arcy Street in Toronto

February is a cruel month, when Toronto becomes locked in frost’s icy grip. However, after a snow storm, the beauty of winter in the city emerges, the sun sparkling in a cerulean blue sky. The Arctic air and drifts of snow appear as unblemished as those of the countryside beyond the city. The streets are quiet, life’s daily hum stilled by the gentle white. Images of Charles Dickens’ days of old magically appear.

I was fortunate, because in the days prior to the storm, the warmth from February’s increasingly direct rays of sunshine caused water to drip, forming long icicles on the eves, roofs and gables. I spent a delightful two hours under the winter sky, appreciating anew the beauty of Toronto in winter. Dressed warmly, I did not find it particularly cold, although my hands nearly froze while I was photographing and was forced to periodically thrust them into my pockets, a small price to pay for the pleasure that the scenes bestowed.

The photographs in this post were all taken on February 10, 2015, when the temperatures hovered around –10 degrees. I chose to photograph near Dundas Street West and Spadina Avenue, where the side streets have numerous Victorian homes.

Huron St.   23   

19th-century homes on Huron Street, a short distance north of Dundas Street West.

18.  20x24  2002

In 2002, I chose the houses in the previous photo as the subject for an oil painting. It was not until I viewed the painting this year that I realized that one of the trees in front of the houses has since been removed, and the facades of the houses and the windows have been altered. 

Baldwin St.  10

Late-Victorian houses on Baldwin street, between Spadina Avenue and McCaul Street. The wire fences and recycling bin betray that the scene is in the 21st century.

Baldwin St.  11   Baldwin St.   12

A 19th-century home on Baldwin Street, with a bay window on the ground-floor level (left photo), and a close-up view of the right-hand window on the second storey (right-hand photo).  

              Balwin St.  2

       Houses on Baldwin Street on February 10, 2015.

Balwin St.  7   Balwin St.  8

Houses on Baldwin Street with a shared Victorian porch containing ornate woodwork trim and spindle-work. The house on the right-hand side has a Christmas wreath, ready for next  December, I suppose.

                      Baldwin St.  14

Baltic ivy clinging to a building on Baldwin Street—a touch of greenery amid the winter white.

   corner D'Arecy and Huron (SE)

Store on the southeast corner of D’Arcy and Huron Streets, which has a reproduction of Van Gough’s painting of June 1889—“Starry Night” on its north wall.  

Balwin St. at Spadina, NW corner   Balwin looking west to Spadina

A picnic table, posts, recycling bins and graffiti art are all enhanced by winter’s sunlight reflecting from the snow. Photos taken on Baldwin near Spadina Avenue.

D'Arcy St.   14    DSCN5808

                                   Icicle magic on Huron Street.

n. side of Baldwin

Colourful Kensington—the north side of Baldwin Avenue, between Augusta and Kensington Avenue.

                          Baldwin in market

North side of Baldwin Street near Kensington Avenue, in the Kensington Market. 

Augusta and Kensington

Casa Acoreana on the northeast corner of Baldwin and Augusta Avenue in the Kensington Market. I believe that this shop has the best selection of spices and herbs in the city.

                        Balwin St.    5

                   Kensington Market—drifts on south side of Baldwin Street.

DSCN5801

Gazing east on Dundas Street West from near Spadina Avenue, in China Town.

terrace, Feb. 10, 2015

             A terrace garden in downtown Toronto, draped in snow .

To view the Home Page for this blog: https://tayloronhistory.wordpress.com/

To view previous blogs about movie houses of Toronto—historic and modern

https://tayloronhistory.wordpress.com/2013/10/09/links-to-toronto-old-movie-housestayloronhistory-com/

Recent publication entitled “Toronto’s Theatres and the Golden Age of the Silver Screen,” by the author of this blog. The publication explores 50 of Toronto’s old theatres and contains over 80 archival photographs of the facades, marquees and interiors of the theatres. It relates anecdotes and stories of the author and others who experienced these grand old movie houses.  

                      cid_E474E4F9-11FC-42C9-AAAD-1B66D852[2]

   To place an order for this book:

https://www.historypress.net/catalogue/bookstore/books/Toronto-Theatres-and-the-Golden-Age-of-the-Silver-Screen/9781626194502 .

Book also available in Chapter/Indigo, the Bell Lightbox Book Store and by phoning University of Toronto Press, Distribution: 416-667-7791

Theatres Included in the Book:

Chapter One – The Early Years—Nickelodeons and the First Theatres in Toronto

Theatorium (Red Mill) Theatre—Toronto’s First Movie Experience and First Permanent Movie Theatre, Auditorium (Avenue, PIckford), Colonial Theatre (the Bay), the Photodome, Revue Theatre, Picture Palace (Royal George), Big Nickel (National, Rio), Madison Theatre (Midtown, Capri, Eden, Bloor Cinema, Bloor Street Hot Docs), Theatre Without a Name (Pastime, Prince Edward, Fox)

Chapter Two – The Great Movie Palaces – The End of the Nickelodeons

Loew’s Yonge Street (Elgin/Winter Garden), Shea’s Hippodrome, The Allen (Tivoli), Pantages (Imperial, Imperial Six, Ed Mirvish), Loew’s Uptown

Chapter Three – Smaller Theatres in the pre-1920s and 1920s

 Oakwood, Broadway, Carlton on Parliament Street, Victory on Yonge Street (Embassy, Astor, Showcase, Federal, New Yorker, Panasonic), Allan’s Danforth (Century, Titania, Music Hall), Parkdale, Alhambra (Baronet, Eve), St. Clair, Standard (Strand, Victory, Golden Harvest), Palace, Bedford (Park), Hudson (Mount Pleasant), Belsize (Crest, Regent), Runnymede

Chapter Four – Theatres During the 1930s, the Great Depression

Grant ,Hollywood, Oriole (Cinema, International Cinema), Eglinton, Casino, Radio City, Paramount, Scarboro, Paradise (Eve’s Paradise), State (Bloordale), Colony, Bellevue (Lux, Elektra, Lido), Kingsway, Pylon (Royal, Golden Princess), Metro

Chapter Five – Theatres in the 1940s – The Second World War and the Post-War Years

University, Odeon Fairlawn, Vaughan, Odeon Danforth, Glendale, Odeon Hyland, Nortown, Willow, Downtown, Odeon Carlton, Donlands, Biltmore, Odeon Humber, Town Cinema

Chapter Six – The 1950s Theatres

Savoy (Coronet), Westwood

Chapter Seven – Cineplex and Multi-screen Complexes

Cineplex Eaton Centre, Cineplex Odeon Varsity, Scotiabank Cineplex, Dundas Square Cineplex, The Bell Lightbox (TIFF)

 

 

 

 

 

 

 

 

 

 

 

 

 

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TIFF madness 2014—King St. festival

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King Street on the afternoon of the day TIFF opened, Thursday, September 5, 2014. The crowds had not yet gathered.

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King Street gazing west at John Street, on the evening of September 6, 2014. The crowds had certainly arrived.

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              King Street gazing east on Sunday afternoon, September 7, 2014

The closing of King Street to vehicle traffic for four days during TIFF 2014, allowed Torontonians to discover the possibilities when streets are open to pedestrians only. When we consider how many people are living in the core of the city, the surrounding suburbs, and the number of tourists visiting from around the world, it is a pity that our streets are so rarely open for strolling and relaxation. Because we live at a latitude that possesses short summers, the tragedy of this situation is compounded.

More and more people are now purchasing homes in areas throughout the metro area where they no longer require a car, in districts close to the subways or streetcar lines. Throughout the years, TIFF has constantly strived to showcase Toronto to the world. The closing of the street in front of the Bell Lightbox is a further extension of this concept. During TIFF, to stroll along King Street, especially at night, has always been a unique experience, but this year, it was doubly true. King Street looked great! It is a pity that the street was closed to vehicles for only four days.

I faithfully attend TIFF each year. I usually do not attend the Hollywood premiers, but prefer to view foreign films and relatively unknown movies that I would otherwise not have an opportunity to see, including many Canadian films. I particularly enjoy the discussions with the actors, producers and directors that follow the screenings. I consider TIFF one of the most important events of my year.

When the festival is not in operation, I continue to attend the Bell Lightbox to view some of the classics of yesteryears, particularly those that I remember from the days of my youth when I attended Toronto’s old historic movie venues. It is great to view them on the big screen as they were originally intended to be seen.

The Bell Lightbox has become an integral part of my entertainment world.

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              Cafes in front of the the Bell Lightbox on King Street West.

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A cafe/restaurant awaits the evening’s customer who wish to take in the sights of TIFF 

DSCN5212

The Princess of Wales Theatre prepares for the premier of the film “The Equalizer.”

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The stage on the reflecting pool on the north side of the Roy Thomson Hall, where a sound system and DJ played music for the guests on the terrace of the hall.

                 DSCN5217

Picnic tables on King Street to the west of Simcoe Street, the 1908 Union Building in the background.

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Restaurant patios directly opposite the entrance to the Bell Lightbox.

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               Giant chess board on King Street during TIFF 2014.

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                 Crowds in front of the Princess of Wales Theatre

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           The Roy Thomson Hall at King and Simcoe during TIFF 2014 

DSCN5227

Concert stage on the north side of King Street, between Peter and John Streets

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            La Fenice Restaurant on the north side of King Street

                 DSCN5279

                 The red carpet in the Bell Lightbox, TIFF, 2014

DSCN5263

                  Scotiabank Theatres, one of the venues for TIFF

DSCN5225

To view the Home Page for this blog: https://tayloronhistory.wordpress.com/

To view previous blogs about Toronto’s old movie houses and modern cinemas

https://tayloronhistory.wordpress.com/2013/12/18/torontos-old-movie-theatrestayloronhistory-com/

To view links to Toronto’s Heritage Buildings

https://tayloronhistory.wordpress.com/2014/01/02/canadas-cultural-scenetorontos-architectural-heritage/ 

Recent publication entitled “Toronto’s Theatres and the Golden Age of the Silver Screen,” by the author of this blog. The publication explores 50 of Toronto’s old theatres and contains over 80 archival photographs of the facades, marquees and interiors of the theatres. It also relates anecdotes and stories from those who experienced these grand old movie houses.

                           cid_E474E4F9-11FC-42C9-AAAD-1B66D852[1]

                 To place an order for this book:

https://www.historypress.net/catalogue/bookstore/books/Toronto-Theatres-and-the-Golden-Age-of-the-Silver-Screen/9781626194502 .

The closing section of the book is about the Bell Lightbox, one of the best of the city’s modern theatre venues. The book is available at Chapters/Indigo and the book store in the Bell Lightbox. It will also be featured during “Word on the Street” on September 21st.    

 

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Thoughts about Toronto’s 2014 CNE

DSCN5073

The Zip Line at the 2014 CNE, in the background the Food Building and the BMO Stadium.

Attending the CNE is an end-of-summer ritual for many Torontonians. Some consider summer incomplete without at least one trip to the Ex. Although the CNE may have diminished in size and lost some of its lustre through the passing years, it will still attract over a million visitors in its 19-day run in 2014. It remains the largest annual fair in Canada. When it closes after Labour Day, similar to New Year’s Eve, we become aware that another milestone in time has passed.

Those of us who are older remember when the Ex introduced Canadians the latest technological advancements, featured the most up-to-date household appliances, and showcased the next year’s automobile models. Its grandstand shows attracted the biggest names in show business and the bandshell offered performances by brass bands from Britain and military bands from the United States. The horse show was also a highlight, as were the cattle and hog judging. In the Warriors’ Day Parades, thousands of veterans marched, their medals reflecting the late-summer sun.

The free samples in the Pure Food Building were welcomed treats. I particularly recall the small cups of various flavours of Campbell’s Soup, V-8 juice and different brands of breakfast cereals. However, they were never sufficient to make a meal, as many have claimed. I also remember buying a bag of chocolate bars, all for the price of one dollar. As great as the Ex was in those year, like last year New Year’s Eves, it has disappeared into time. However, I now realize that the greatest thing about the Ex in decades past was the fact that I was young. In our youth, everything was better and bigger, even if in reality it was not.

I sometimes feel that the Ex began its decline after the Manufacturers Building was gutted by fire and never replaced. During the next few years, the Flyer (rollercoaster) and the CNE Grandstand also vanished. Today, the Horticultural, Arts and Crafts, and Ontario Government Buildings are no longer part of the annual Exhibition. However, I was pleased to discover that this year (2014) people were again able to access the grounds via the Dufferin Gates. When returning on the streetcar from my trip to the Ex this year, I heard a woman declare on her cellphone to someone, “The Ex is mainly one big effort to sell you something.” There is much truth to this statement, but there is another side to the Ex that remains as glorious as former decades.

It remains a place where children and young people create memories that in the the years ahead they will refer to as “the good old days.” They have no recollections of the way the Ex used to be, so accept it for what it is and revel in the experience. In future years, they too will exaggerate the virtues of the Ex of 2014. In some respects, they will be correct. The assortment of rides is even better than in former years, even though there is no rollercoaster. This year there is the “Zip Line,” where a person signs a liability waver, pays $20, and zips from one end of the Ex to the other on a high-wire like a circus performer. As well, the gut-wrenching foods are as gut-wrenching as ever and the Tiny Tim Donuts as plentiful as they were in years past. I also noticed at the 2014 Ex the large number of immigrants experiencing the fair for the first time, seeing it through new eyes. I envied their sense of amazement and delight.

The CNE grounds are immaculately maintained and the landscaping is excellent. The flower beds and planters are a sight to behold, and the plantings around the Princess Margaret Fountain are wonderful, even though I admit that I miss the old Gooderham Fountain that was demolished in 1958. Walking the grounds is relaxing and pleasurable. The butter sculptures in the Better Living Centre are as fascinating as ever, even though they no longer portray Borden’s Elsie the cow. The sand sculptures are also skilfully executed, though I must confess that I have no interest in the stalls in the Direct Energy Centre Centre that sell crafts and products from all over the world, most of which are available in the shops in the Kensington Market or on Spadina Avenue.   

The Ex has changed. It is no longer the exhibition that I knew in my youth. I accept this, but still derive great pleasure visiting it each year, when I relive past memories and create new ones. In the latter respect, I am no different to the young who flock to the CNE each year. When I stroll the midway, I am again a teenager, even though I am an observer rather than a participant. Sadly, this now applies to more things in life than I care to mention.

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The planter boxes at the Ex, to the west of the Food Building, the view gazing west towards the old Music Building.

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       The Food Building built in 1954 to replace of former building of 1921.

DSCN5083

The former Music Building, originally the Railway Building, designed by George W. Gouinlock in 1907. 

DSCN5114   DSCN5077

The Zip Line, a new addition to the 2014 CNE. For $20 a person can ride on a high wire from the west end of the Ex to the east end, almost to the Princes’ Gates 

DSCN5093   DSCN5092

The Princess Margaret Fountain, opened in 1958, replacing the old Gooderham Fountain of 1911. 

DSCN5089

The Press Building, originally the Administrative Building, constructed in 1905.

                          DSCN5097

A gigantic elm tree, a survivor from the old days of the Ex, and two Muskoka chairs where a person can relax in the shade.

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                  The children’s merry-go-round in the Kiddie Rides

DSCN5113   DSCN5112

                 The butter sculptures in the Better Living Centre

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The CNE Midway in 2014. This scene might be from the 1950s or 1960s, as little has changed. 

   DSCN5123DSCN5124

                     The sand sculptures in the Direct Energy Centre

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             View of the Midway looking west, the Sky Ride in the background.

To view Home Page: https://tayloronhistory.wordpress.com/

For links to previous posts about the CNE throughout the years

The Princes’ Gates at the CNE

https://tayloronhistory.wordpress.com/2013/08/12/torontos-architectural-gemsthe-princess-gates/

The CNE when “The Flyer” (rollercoaster) was king of the midway.

https://tayloronhistory.wordpress.com/2013/08/22/the-wild-side-of-the-cnes-when-the-flyer-was-king/

Going wild at the 2013 CNE.

https://tayloronhistory.wordpress.com/2013/08/22/going-wild-at-the-2013s-cne/

Memories of the CNE of yesteryears.

tps://tayloronhistory.wordpress.com/2011/08/22/memories-of-the-cnetoday-and-yesterday/

The old Gooderham fountain at the CNE, which preceded the Princess Margaret Fountain, was a copy of those in Rome’s St. Peter’s Square

https://tayloronhistory.wordpress.com/2011/09/05/the-fountain-at-the-cne/

Ten suggestions to improve the CNE

https://tayloronhistory.wordpress.com/2011/09/05/ten-suggestion-to-make-the-cne-great/

Attending the 2011 Ex.

https://tayloronhistory.wordpress.com/2011/08/25/whats-it-like-to-attend-the-cne-in-2011-in-comparison-with-yesteryear/

Memories and photos of the Grandstand shows of the 1950s

https://tayloronhistory.wordpress.com/2011/09/03/the-magnificent-grandstand-shows-of-the-1950s/

Postcard views of the CNE from the 1940s

https://tayloronhistory.wordpress.com/2011/08/29/postcard-views-of-the-1947-cne-part-one/

More postcard views of the CNE from the 1940s

https://tayloronhistory.wordpress.com/2011/08/30/postcard-views-of-the-1947-cne-part-two/

The historic fountain at the CNE that has now disappeared

https://tayloronhistory.wordpress.com/2012/09/01/memories-of-the-cnemeet-me-at-the-fountain/

A post about the sculpture in butter of Rob Ford

https://tayloronhistory.wordpress.com/2012/08/31/if-rob-ford-is-a-turkey-at-least-hes-a-butterball/

Visiting the 2012 CNE

https://tayloronhistory.wordpress.com/2012/08/28/try-viewing-the-2012-cne-through-new-eyes/

To view the Home Page for this blog: https://tayloronhistory.wordpress.com/

To view links to Toronto’s Heritage Buildings

https://tayloronhistory.wordpress.com/2014/01/02/canadas-cultural-scenetorontos-architectural-heritage/ 

To view previous posts about other movie houses of Toronto—old and new

https://tayloronhistory.wordpress.com/2013/12/18/torontos-old-movie-theatrestayloronhistory-com/

Recent publication entitled “Toronto’s theatres and the Golden Age of the Silver Screen,” by the author of this blog. The publication explores 50 of Toronto’s old theatres and contains over 80 archival photographs of the facades, marquees and interiors of the theatres. It also relates anecdotes and stories from those who experienced these grand old movie houses.  

                           cid_E474E4F9-11FC-42C9-AAAD-1B66D852

                 To place an order for this book:

https://www.historypress.net/catalogue/bookstore/books/Toronto-Theatres-and-the-Golden-Age-of-the-Silver-Screen/9781626194502 .

 

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