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Memories of Toronto’s Beaver Theatre on Dundas St. West

19 Jun

Series 1278- file 63  photo 1947

The Beaver Theatre in 1947, City of Toronto Archives, Series 1278, File 63

The district that became known as the Junction was originally a rural farming community to the northwest of Toronto. It centred around Keele and Dundas Street West. The name “Junction” was derived from the fact that it was at the “junction” of four railway lines. The southern terminal of the old Weston Road streetcars, which travelled north to the town of Weston, was at the Junction. The West Toronto Railway Station was on the east side of Keele Street, several blocks north of Dundas Street. The old stone railway bridge remains in use today, and continues to span Keele Street, although the railway station was demolished decades ago.

The since the Junction was a transportation hub, more and more people built homes in the area. It eventually became the town of West Toronto, which was annexed to the city in 1909. With the increase in population, more businesses gravitated to the area as well. It was not long before someone realized that the town needed a movie theatre. The man who decided to fulfill this need was William Joy. In 1907, he had opened a small theatre for live performances, named the Wonderland. It must have been profitable, because in 1913, William Joy closed the Wonderland and opened the Beaver Theatre, which cost $60,000. His new theatre was to show “moving pictures” and to feature vaudeville acts. He managed the new theatre himself. It was he who insisted that the Beaver have a fire-proof picture curtain, and personally supervised its installation.   

The Beaver was located at 2942 Dundas Street West, near Pacific Avenue. It was an impressive structure, especially considering that it was remote from downtown Toronto, where the demographics provided more possibilities for patrons. It was one of the first structures in Toronto purposely built for showing  “moving pictures” (the Bay Theatre was the first, built in 1909). The Beaver’s architect was Neil G. Beggs, and the neoclassical facade that he created was quite ornate. Its symmetrical design included an ornamented cornice, with an impressive row of dentils (teeth-like designs) below it. The facade contained smooth, glossy terracotta tiles that were glazed with a light-yellow patina. The lower lobby and foyer possessed alternate mirrored panels with frames of terracotta and rouge-noir marble. The auditorium’s colour scheme was antique ivory and green, and it possessed a large mural of flying cupids.The seating capacity was approximately 800, including a narrow balcony that was 50’ by 176,’ decorated with various shades of bronze. There were box seats along the sides of the auditorium, the box seats closest to the stage less than 50’ from the actors.

In 1918, the theatre was taken over by the Allen brothers, who owned the Allen Danforth and the the Allen Theatre at Adelaide and Victoria. In later years, the theatre was operated by  the B&F chain and was renovated and modernized. The box seats were removed, after the theatre was exclusively employed for movies.

In 1961 the theatre was closed, being one of the first to succumb to the onslaught of television. 

1278  File 63  Photo 1923   National Archives for all  

Gazing west along Dundas Street West in 1923. The Beaver Theatre is on the right-hand (north) side of the street. It would appear that in the photo the streetcar tracks were being laid.

1930

             Lobby of the Beaver in 1930, National Archives, Ottawa.

                    taken in 1930  DSCN4507

The lower lobby in 1930, and the railing above it that surrounded the upper lobby. Photo from the National Archives, Ottawa.

photo  1930

                                     Second-floor lobby in 1930

dated 1947

        The lobby in 1947, City of Toronto Archives, Series 1278, File 63

Photo is in 1947

                                    Stairs to the upper lobby in 1947.

1930

Auditorium of the Beaver in 1947. The box seats on the side walls had been removed by this date.

1947

The screen and stage area in 1947, viewed from the rear of the balcony.

Note: photos are from the National Archives, Ottawa, except for the 1923 photo, which is City of Toronto Archives, Series 1278, File 63

To view the Home Page for this blog: https://tayloronhistory.wordpress.com/

To view previous posts on this blog about other movie houses of Toronto—old and new

https://tayloronhistory.wordpress.com/2013/10/09/links-to-toronto-old-movie-housestayloronhistory-com/

To view links to other posts placed about the history of Toronto and its buildings:

https://tayloronhistory.wordpress.com/2013/10/08/links-to-historic-architecture-of-torontotayloronhistory-com/

Recent publication entitled “Toronto’s Theatres and the Golden Age of the Silver Screen,” by the author of this blog. The publication explores 50 of Toronto’s old theatres and contains over 80 archival photographs of the facades, marquees and interiors of the theatres. It also relates anecdotes and stories from those who experienced these grand old movie houses.  

                      cid_E474E4F9-11FC-42C9-AAAD-1B66D852

   To place an order for this book:

https://www.historypress.net/catalogue/bookstore/books/Toronto-Theatres-and-the-Golden-Age-of-the-Silver-Screen/9781626194502 .

Theatres Included in the Book:

Chapter One – The Early Years—Nickelodeons and the First Theatres in Toronto

Theatorium (Red Mill) Theatre—Toronto’s First Movie Experience and First Permanent Movie Theatre, Auditorium (Avenue, PIckford), Colonial Theatre (the Bay), thePhotodome, Revue Theatre, Picture Palace (Royal George), Big Nickel (National, Rio), Madison Theatre (Midtown, Capri, Eden, Bloor Cinema, Bloor Street Hot Docs), Theatre Without a Name (Pastime, Prince Edward, Fox)

Chapter Two – The Great Movie Palaces – The End of the Nickelodeons

Loew’s Yonge Street (Elgin/Winter Garden), Shea’s Hippodrome, The Allen (Tivoli), Pantages (Imperial, Imperial Six, Ed Mirvish), Loew’s Uptown

Chapter Three – Smaller Theatres in the pre-1920s and 1920s

 Oakwood, Broadway, Carlton on Parliament Street, Victory on Yonge Street (Embassy, Astor, Showcase, Federal, New Yorker, Panasonic), Allan’s Danforth (Century, Titania, Music Hall), Parkdale, Alhambra (Baronet, Eve), St. Clair, Standard (Strand, Victory, Golden Harvest), Palace, Bedford (Park), Hudson (Mount Pleasant), Belsize (Crest, Regent), Runnymede

Chapter Four – Theatres During the 1930s, the Great Depression

Grant ,Hollywood, Oriole (Cinema, International Cinema), Eglinton, Casino, Radio City, Paramount, Scarboro, Paradise (Eve’s Paradise), State (Bloordale), Colony, Bellevue (Lux, Elektra, Lido), Kingsway, Pylon (Royal, Golden Princess), Metro

Chapter Five – Theatres in the 1940s – The Second World War and the Post-War Years

University, Odeon Fairlawn, Vaughan, Odeon Danforth, Glendale, Odeon Hyland, Nortown, Willow, Downtown, Odeon Carlton, Donlands, Biltmore, Odeon Humber, Town Cinema

Chapter Six – The 1950s Theatres

Savoy (Coronet), Westwood

Chapter Seven – Cineplex and Multi-screen Complexes

Cineplex Eaton Centre, Cineplex Odeon Varsity, Scotiabank Cineplex, Dundas Square Cineplex, The Bell Lightbox (TIFF)

 

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